Dault dating

Dault emphasizes the temporal and physical realities of the art-making process, each work dependent on the artist’s individual speed and strength, underscoring the surprise and slippage that the human hand invites even while adhering standardization.

Dault has had solo museum exhibitions at Power Plant Contemporary Art Gallery in Toronto, and Vancouver’s Contemporary Art Gallery.

Adhering to self-prescribed rules–she must create the work in a single session, in situ where it it’s shown and avoid trickery and illusion–the artist rolls sheets of plexiglass and ties them into position with string in order to avoid glue, a concealed binding substance.

Correspondingly, the artist’s textured paintings incorporate mass produced materials–vinyl, silk, pleather and paint straight from the tube–that she squeegees and combs, creating erasures that reveal the work’s every layer.

The rules control the terms, but don’t dictate the results.

So with each sculpture or painting, there is a new and unpredictable element at play.

I build them such that you can see how the thing is held; I call them self-evident.

You can see knots, and you can tell that these sheets are anchored.

Each sculpture seems likely to burst at any moment, and one can’t help but interpret them as triumphs of physical exertion.Julia Dault’s post-minimal paintings and sculptures humanize industrial materials by making explicit each gesture taken to actualize the work.Adhering to self-prescribed rules–she must create the work in a single session, in situ where it it’s shown and avoid trickery and illusion–the artist rolls sheets of plexiglass and ties them into position with string in order to avoid glue, a concealed binding substance.Her work has been included in the Whitney Museum of American Art’s 2012 Triennial “ The Ungovernables,” and in group exhibitions at the Pérez Art Museum in Miami, Warsaw’s Museum of Modern Art, and Houston’s Contemporary Arts Museum.Julia Dault’s post-minimal paintings and sculptures humanize industrial materials by making explicit each gesture taken to actualize the work.

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Working within the great abyss is existentially overwhelming, so as a person, I thrive within self-imposed constraints and in my practice I apply the same methods.

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